Barbra Streisand Film career
 Her first film was a reprise of her Broadway hit, Funny Girl (1968), an artistic and commercial success, for which she won the 1968 Academy Award for Best Actress, sharing it with Katharine Hepburn (The Lion in Winter), the first time there was a tie in this Oscar category. Her next two movies were also based on musicals, Jerry Herman's Hello, Dolly! (1969) and Alan Jay Lerner's and Burton Lane's On a Clear Day You Can See Forever (1970), while her fourth film was based on the Broadway play The Owl and the Pussycat (film) (1970).
She also starred in the original screwball comedies, including What's Up, Doc? (1972), with Ryan O'Neal, and For Pete's Sake (film) (1974), and the drama The Way We Were (1973) with Robert Redford. Her second Academy Award was for Best Original Song as composer of the song Evergreen, from A Star Is Born (1976); this was the first time a woman had received this award.
Barbra in 'Meet The Fockers'Along with Paul Newman and Sidney Poitier, Streisand formed First Artists Production Company in 1969 so the actors could secure properties and develop movie projects for themselves. Streisand's initial outing with First Artists was the personal Up the Sandbox (1972).
In 1970, she had a topless scene in The Owl and the Pussycat. She regretted the move and requested that director Herbert Ross delete the scene from the movie. Years later, High Society magazine obtained the original negative from the film, which included the topless scene. When they published the photos of her bare breasts, Streisand took action to remove the magazine from the stands. The Owl and the Pussycat is also notable for being the first Hollywood film in which a major Hollywood star (Streisand) uttered the word fuck.
From a period beginning in 1969 and ending in 1980, Streisand appeared in the annual motion picture exhibitors poll of Top 10 Box Office attractions a total of 10 times, often as the only woman on the list. But after the disappointment of All Night Long in 1981, Streisand's film output decreased considerably. She has only acted in five films since.
Streisand produced a number of her own films, setting up Barwood Films in 1972. For Yentl (1983), she was producer, director, writer, and star, an experience she repeated for The Prince of Tides (1991). Steven Spielberg called Yentl a masterpiece, and both won critical acclaim. There was controversy when Yentl received five Academy Award nominations but none for the major categories of Best Picture, Actress, or Director. Prince of Tides received even more nominations, including Best Picture, but the director was not nominated.
In 2004, Streisand made a return to film acting, after an eight-year hiatus, in the comedy Meet the Fockers (a sequel to Meet the Parents), playing opposite Dustin Hoffman, Ben Stiller, Blythe Danner and Robert De Niro.
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